Objects of Attachment (series), 2022
Shellac, red clay, motor oil, charcoal, sawdust on stretched drop cloth
40” x 60” x 3.5” each
Shellac, red clay, motor oil, charcoal, sawdust on stretched drop cloth
40” x 60” x 3.5” each
bear with me for a sec, 2022
Charcoal drawing on shop paper towel, sunbleached bond paper (Roller Magic July 2022 skate schedule), pen on paper receipt, menu printed on semi-gloss paper, red sketch book, painters tape, hoop earring, ink and graphite on green cover moleskine sketchbook, pen on pink post-it note
Measurements vary
Documentation photography by Emma Beatrez
Charcoal drawing on shop paper towel, sunbleached bond paper (Roller Magic July 2022 skate schedule), pen on paper receipt, menu printed on semi-gloss paper, red sketch book, painters tape, hoop earring, ink and graphite on green cover moleskine sketchbook, pen on pink post-it note
Measurements vary
Documentation photography by Emma Beatrez
Full Light Halfway Dry (Luz Completa Medio Seco), 2022
Burned pallet wood, twine, ratchet straps, metal anchors
Measurements vary
Burned pallet wood, twine, ratchet straps, metal anchors
Measurements vary
A City Amputated (Una Ciudad Amputada), 2021
Charcoal transfer on three wounded homasote boards, black milk crate
144” x 96” x 1/2”
Documentation photography by Meghan Olson
Charcoal transfer on three wounded homasote boards, black milk crate
144” x 96” x 1/2”
Documentation photography by Meghan Olson
Remember me Beautiful (Recuerdame Bonito), 2021
Text and images burned into flesh of wooden pallets, reclaimed objects
Measurements vary
Documentation photography by Emma Beatrez
Text and images burned into flesh of wooden pallets, reclaimed objects
Measurements vary
Documentation photography by Emma Beatrez
Always Tomorrow (Siempre Mañana), 2021
Graphite and motor oil on archival paper
Measurements vary
Documentation photography by Emma Beatrez
Graphite and motor oil on archival paper
Measurements vary
Documentation photography by Emma Beatrez
Still Water Clay Mound, 2021
Latex primer on reclaimed plastic tarp, burned drawings on pallet wood
74” x 97” x 4”
Documentation photography by Emma Beatrez
Latex primer on reclaimed plastic tarp, burned drawings on pallet wood
74” x 97” x 4”
Documentation photography by Emma Beatrez
Sin Título serie
(Untitled series), 2020
2 out of 20 unique Collograph prints on handmade natural flax paper
30” x 40” unframed
(Untitled series), 2020
2 out of 20 unique Collograph prints on handmade natural flax paper
30” x 40” unframed
Shelter Becoming, 2020
9 hour performance
Shovel, dirt mound
Measurements vary
9 hour performance
Shovel, dirt mound
Measurements vary
Poemas de Amor (Love Poem series) installed with wooden benches
12 x 18” each print
Charcoal on newsprint, reclaimed wood
2018 - ongoing
12 x 18” each print
Charcoal on newsprint, reclaimed wood
2018 - ongoing
Con Amor y en Solidaridad Siempre
poetry reading as part of the Walker Art Center’s Citizenship Series
2019
Documentation photography by Galen Fletcher
poetry reading as part of the Walker Art Center’s Citizenship Series
2019
Documentation photography by Galen Fletcher
Entre Rios y Montañas (In Between Rivers and Mountains)
performance with charcoal rubbing on wooden pallet
measurements vary
2019
performance with charcoal rubbing on wooden pallet
measurements vary
2019
Lo Que Tu Me Deseas Dios Te Lo Duplicara
measurements vary (4’ x 6’ canvas)
2018
measurements vary (4’ x 6’ canvas)
2018
Por el amor de Dios
(For the love of God)
stencil print using charcoal on wall
28“ x 28” x 8”
2018
(For the love of God)
stencil print using charcoal on wall
28“ x 28” x 8”
2018
Seas the Día
stencil print on fabric, wood, thread
measurements vary
2018
In collaboration with Christina Graham and Grace Colletta. Made as part of an artist in residency program facilitated by the Avalon on Cuttyhunk Island, MA
stencil print on fabric, wood, thread
measurements vary
2018
In collaboration with Christina Graham and Grace Colletta. Made as part of an artist in residency program facilitated by the Avalon on Cuttyhunk Island, MA
Niño (Boy)
stencil print using water on sand
measurements vary
2018
stencil print using water on sand
measurements vary
2018
These Clouds Will Not End But Labor Does
brown body, xerox transfer prints on rocks
measurements vary
2018
brown body, xerox transfer prints on rocks
measurements vary
2018
Sin Título (Untitled)
stencil prints using charcoal on wall, butcher paper
measurements vary
2018
stencil prints using charcoal on wall, butcher paper
measurements vary
2018
Tu y Yo (You and I)
canvas stencil print using light on shed, wood frame, clamps
measurements vary
2018
Project in collaboration with Dasha Bea as part of an artist-in-residency program facilitated by Epicenter, Green River, UT
canvas stencil print using light on shed, wood frame, clamps
measurements vary
2018
Project in collaboration with Dasha Bea as part of an artist-in-residency program facilitated by Epicenter, Green River, UT
El Día Que Me Encuentren (The Day They Find Me)
collographs on vellum, toner print, black frames, lighting, power strip
measurements vary
(8” x 10” each)
2018
collographs on vellum, toner print, black frames, lighting, power strip
measurements vary
(8” x 10” each)
2018
Con Amor, Siempre
collographs on rice paper, nails
measurements vary
(15” x 20” each)
2018
collographs on rice paper, nails
measurements vary
(15” x 20” each)
2018
Tribunal
lithography on paper, thread, nails
measurements vary (8” x 10” each)
2016-2017
lithography on paper, thread, nails
measurements vary (8” x 10” each)
2016-2017
Print Study #13
collograph on paper
48” x 36” unframed
2017
collograph on paper
48” x 36” unframed
2017
Print Study #9
original poem: Buenos Aires by Marjorie Agosín
xerox transfer on wall and floor
6” x 5” x 3"
2017
original poem: Buenos Aires by Marjorie Agosín
xerox transfer on wall and floor
6” x 5” x 3"
2017
Print Study #4
xerox transfer on paper
30” x 22” unframed
2017
xerox transfer on paper
30” x 22” unframed
2017