Come Home, 2023
Shellac, used motor oil, ash, charcoal, saw dust, and clay on stretched drop cloth. Frame made from reclaimed 2x4s. 
48 x 55 x 3.5"
never got to be cool, 2022
In vent: books and folded used drop cloth. On wall: metal coat rack in the shape of two ducks, t-shirt, green tote bag with books, canvas, tire iron, good-luck charm (goat foot), artist statement drafts printed on bond paper, clipboard, receipts, parking tickets, parking passes, sandpaper, photo-booth print, restaurant menu on semi-gloss paper, exit sign, smoke detector, wifi extension router
Measurements vary
bear with me for a sec, 2022
Charcoal drawing on shop paper towel, sunbleached bond paper (Roller Magic July 2022 skate schedule), pen on paper receipt, menu printed on semi-gloss paper, red sketch book, painters tape, hoop earring, ink and graphite on green cover moleskine sketchbook, pen on pink post-it note
Measurements vary

Documentation photography by Emma Beatrez
Full Light Halfway Dry, 2022
Burned pallet wood, twine, ratchet straps, metal anchors
Measurements vary

A City Amputated (Una Ciudad Amputada), 2021
Charcoal transfer on three wounded homasote boards, black milk crate
144” x 96” x 1/2”

Documentation photography by Meghan Olson

Remember me Beautiful (Recuerdame Bonito), 2021
Text and images burned into flesh of wooden pallets, reclaimed objects
Measurements vary

Documentation photography by Emma Beatrez
Always Tomorrow (Siempre Mañana), 2021 
Graphite and motor oil on archival paper
Measurements vary

Documentation photography by Emma Beatrez

Still Water Clay Mound, 2021
Latex primer on reclaimed plastic tarp, burned drawings on pallet wood
74” x 97” x 4”

Documentation photography by Emma Beatrez
In Between / Underneath
(Entremedio / Por Debajo)
, 2018 - 2019
Stencil prints with mud, a mixture of unfired clay, water, sawdust, charcoal,  ink
25” x 40” each print
Sin Título serie
series), 2020
2 out of 20 unique Collograph prints on handmade natural flax paper
30” x 40” unframed
Shelter Becoming, 2020
9 hour performance
Shovel, dirt mound
Measurements vary
Con Amor y en Solidaridad Siempre
poetry reading as part of the Walker Art Center’s Citizenship Series

Documentation photography by Galen Fletcher

Entre Rios y Montañas (In Between Rivers and Mountains)
performance with charcoal rubbing on wooden pallet
measurements vary
Lo Que Tu Me Deseas Dios Te Lo Duplicara
measurements vary (4’ x 6’ canvas)
Por el amor de Dios
(For the love of God)
stencil print using charcoal on wall
28“ x 28” x 8”
Seas the Día
stencil print on fabric, wood, thread
measurements vary

In collaboration with Christina Graham and Grace Colletta. Made as part of an artist in residency program facilitated by the Avalon on Cuttyhunk Island, MA 
Niño (Boy)
stencil print using water on sand
measurements vary
These Clouds Will Not End But Labor Does
brown body, xerox transfer prints on rocks
measurements vary

Sin Título (Untitled)
stencil prints using charcoal on wall, butcher paper
measurements vary
Tu y Yo (You and I)
canvas stencil print using light on shed, wood frame, clamps
measurements vary

Project in collaboration with Dasha Bea as part of an artist-in-residency program facilitated by Epicenter, Green River, UT

El Día Que Me Encuentren (The Day They Find Me)
collographs on vellum, toner print, black frames, lighting, power strip
measurements vary
(8” x 10” each)

Con Amor, Siempre
collographs on rice paper, nails
measurements vary
(15” x 20” each)

lithography on paper, thread, nails
measurements vary (8” x 10” each)

Print Study #13
collograph on paper
48” x 36” unframed

Print Study #9
original poem: Buenos Aires by Marjorie Agosín
xerox transfer on wall and floor
6” x 5” x 3"
Print Study #4
xerox transfer on paper
30” x 22” unframed
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