Untitled (Deterritorialization Study XVIII), 2025
Charcoal on graph paper
17” x 14” unframed
Charcoal on graph paper
17” x 14” unframed
Stripe I, Stripe II, & Ribbon, 2024
Unfired clay, brake fluid, charcoal, saw dust, rust dye, and graphite, on stretched drop cloth and king-sized bed sheet
Measurements vary
Documentation by Luis Corzo
Unfired clay, brake fluid, charcoal, saw dust, rust dye, and graphite, on stretched drop cloth and king-sized bed sheet
Measurements vary
Documentation by Luis Corzo
A House to Hold Everything, 2024
Clay and power steering fluid on panel, blanket
50” x 60” (8” x 10” panel)
Clay and power steering fluid on panel, blanket
50” x 60” (8” x 10” panel)
Twice the Legal Minute, 2023
Shellac, soil, charcoal, floordust, sawdust, used motor oil, and powdered clay on drop cloth stretched over 2x4s
40” x 60” x 3.5”
Documentation by Charles Moffett Gallery
Shellac, soil, charcoal, floordust, sawdust, used motor oil, and powdered clay on drop cloth stretched over 2x4s
40” x 60” x 3.5”
Documentation by Charles Moffett Gallery
Pour, 2023
Shellac, soil, charcoal, floordust, sawdust, used motor oil, and powdered clay on drop cloth stretched over 2x4s
48” x 55” x 3.5”
Documentation by Guillaume Ziccarelli
Shellac, soil, charcoal, floordust, sawdust, used motor oil, and powdered clay on drop cloth stretched over 2x4s
48” x 55” x 3.5”
Documentation by Guillaume Ziccarelli
brindis, 2023
Installation with three paintings including tire iron, good-luck charm (goat foot), new born baby daily schedules on paper, motor oil on paper, 2022 calendar, iron man figurine, ziplock bag of lime juice and chili, reclaimed wooden pallet nails, ziplock bag of soil and plant detritus from grandmother’s funeral, hologram portrait of wolf and two bald eagles, two meat deli posters, sticky notes, fliers, grandfather’s hat, note cards, ceramic dog, tarzan clock, corn husk weaving resembling a plant, plastic mickey mouse piggy bank, pink pig piggy bank, cardboard boxes, lanyards, cotton banner with marathon bibs and swimming caps, clothes pins, YSoA dolly, used candles, colored drawing of Goku on paper, subwoofer, ac/dc current converter, electrical wiring, fridge magnets, glass and ceramic diamond award, ceramic cup, car rear view mirror flag, rosary, library card, receipts, parking tickets, parking passes, sandpaper, restaurant menu on semi-gloss paper, and two exit signs
Dimensions variable
Documentation by Pat Garcia Jr
Installation with three paintings including tire iron, good-luck charm (goat foot), new born baby daily schedules on paper, motor oil on paper, 2022 calendar, iron man figurine, ziplock bag of lime juice and chili, reclaimed wooden pallet nails, ziplock bag of soil and plant detritus from grandmother’s funeral, hologram portrait of wolf and two bald eagles, two meat deli posters, sticky notes, fliers, grandfather’s hat, note cards, ceramic dog, tarzan clock, corn husk weaving resembling a plant, plastic mickey mouse piggy bank, pink pig piggy bank, cardboard boxes, lanyards, cotton banner with marathon bibs and swimming caps, clothes pins, YSoA dolly, used candles, colored drawing of Goku on paper, subwoofer, ac/dc current converter, electrical wiring, fridge magnets, glass and ceramic diamond award, ceramic cup, car rear view mirror flag, rosary, library card, receipts, parking tickets, parking passes, sandpaper, restaurant menu on semi-gloss paper, and two exit signs
Dimensions variable
Documentation by Pat Garcia Jr
a kilo belongs to sugar, 2022
In vent: books and folded used drop cloth. On wall: metal coat rack in the shape of two ducks, t-shirt, green tote bag with books, canvas, tire iron, good-luck charm (goat foot), artist statement drafts printed on bond paper, clipboard, receipts, parking tickets, parking passes, sandpaper, photo-booth print, restaurant menu on semi-gloss paper, exit sign, smoke detector, and wifi extension router
Dimensions variable
In vent: books and folded used drop cloth. On wall: metal coat rack in the shape of two ducks, t-shirt, green tote bag with books, canvas, tire iron, good-luck charm (goat foot), artist statement drafts printed on bond paper, clipboard, receipts, parking tickets, parking passes, sandpaper, photo-booth print, restaurant menu on semi-gloss paper, exit sign, smoke detector, and wifi extension router
Dimensions variable
bear with me for a sec, 2022
Charcoal drawing on shop paper towel, sunbleached bond paper (Roller Magic July 2022 skate schedule), pen on paper receipt, menu printed on semi-gloss paper, red sketch book, painters tape, hoop earring, ink and graphite on green cover moleskine sketchbook, and pen on pink post-it note.
Dimensions variable
Documentation by Emma Beatrez
Charcoal drawing on shop paper towel, sunbleached bond paper (Roller Magic July 2022 skate schedule), pen on paper receipt, menu printed on semi-gloss paper, red sketch book, painters tape, hoop earring, ink and graphite on green cover moleskine sketchbook, and pen on pink post-it note.
Dimensions variable
Documentation by Emma Beatrez
Full Light Halfway Dry, 2022
Burned pallet wood, twine, ratchet straps, and metal anchors. Dimensions variable.
Burned pallet wood, twine, ratchet straps, and metal anchors. Dimensions variable.
A City Amputated (Una Ciudad Amputada), 2021
Charcoal transfer on three wounded homasote boards, and black milk crate. 144” x 96” x 1/2”
Documentation photography by Meghan Olson.
Charcoal transfer on three wounded homasote boards, and black milk crate. 144” x 96” x 1/2”
Documentation photography by Meghan Olson.
Remember me Beautiful (Recuerdame Bonito), 2021
Text and images burned into flesh of wooden pallets, and reclaimed objects. Dimensions variable.
Documentation photography by Emma Beatrez.
Text and images burned into flesh of wooden pallets, and reclaimed objects. Dimensions variable.
Documentation photography by Emma Beatrez.
Always Tomorrow (Siempre Mañana), 2021
Graphite and motor oil on archival paper. Dimensions variable.
Documentation photography by Emma Beatrez.
Graphite and motor oil on archival paper. Dimensions variable.
Documentation photography by Emma Beatrez.
Still Water Clay Mound, 2021
Latex primer on reclaimed plastic tarp, burned drawings on pallet wood. 74” x 97” x 4”
Documentation photography by Emma Beatrez
Latex primer on reclaimed plastic tarp, burned drawings on pallet wood. 74” x 97” x 4”
Documentation photography by Emma Beatrez
Sin Título serie
(Untitled series), 2020
2 out of 20 unique Collograph prints on handmade natural flax paper
30” x 40” unframed
(Untitled series), 2020
2 out of 20 unique Collograph prints on handmade natural flax paper
30” x 40” unframed
Shelter Becoming, 2020
9 hour performance
Shovel, dirt mound
Measurements vary
9 hour performance
Shovel, dirt mound
Measurements vary
Poemas de Amor (Love Poem series) installed with wooden benches
12 x 18” each print
Charcoal on newsprint, reclaimed wood
2018 - ongoing
12 x 18” each print
Charcoal on newsprint, reclaimed wood
2018 - ongoing
Con Amor y en Solidaridad Siempre
poetry reading as part of the Walker Art Center’s Citizenship Series
2019
Documentation photography by Galen Fletcher
poetry reading as part of the Walker Art Center’s Citizenship Series
2019
Documentation photography by Galen Fletcher
Entre Rios y Montañas (In Between Rivers and Mountains)
performance with charcoal rubbing on wooden pallet
measurements vary
2019
performance with charcoal rubbing on wooden pallet
measurements vary
2019
Lo Que Tu Me Deseas Dios Te Lo Duplicara
measurements vary (4’ x 6’ canvas)
2018
measurements vary (4’ x 6’ canvas)
2018
Por el amor de Dios
(For the love of God)
stencil print using charcoal on wall
28“ x 28” x 8”
2018
(For the love of God)
stencil print using charcoal on wall
28“ x 28” x 8”
2018
Seas the Día
stencil print on fabric, wood, thread
measurements vary
2018
In collaboration with Christina Graham and Grace Colletta. Made as part of an artist in residency program facilitated by the Avalon on Cuttyhunk Island, MA
stencil print on fabric, wood, thread
measurements vary
2018
In collaboration with Christina Graham and Grace Colletta. Made as part of an artist in residency program facilitated by the Avalon on Cuttyhunk Island, MA
Niño (Boy)
stencil print using water on sand
measurements vary
2018
stencil print using water on sand
measurements vary
2018
These Clouds Will Not End But Labor Does
brown body, xerox transfer prints on rocks
measurements vary
2018
brown body, xerox transfer prints on rocks
measurements vary
2018
Sin Título (Untitled)
stencil prints using charcoal on wall, butcher paper
measurements vary
2018
stencil prints using charcoal on wall, butcher paper
measurements vary
2018
Tu y Yo (You and I)
canvas stencil print using light on shed, wood frame, clamps
measurements vary
2018
Project in collaboration with Dasha Bea as part of an artist-in-residency program facilitated by Epicenter, Green River, UT
canvas stencil print using light on shed, wood frame, clamps
measurements vary
2018
Project in collaboration with Dasha Bea as part of an artist-in-residency program facilitated by Epicenter, Green River, UT
El Día Que Me Encuentren (The Day They Find Me)
collographs on vellum, toner print, black frames, lighting, power strip
measurements vary
(8” x 10” each)
2018
collographs on vellum, toner print, black frames, lighting, power strip
measurements vary
(8” x 10” each)
2018
Con Amor, Siempre
collographs on rice paper, nails
measurements vary
(15” x 20” each)
2018
collographs on rice paper, nails
measurements vary
(15” x 20” each)
2018
Tribunal
lithography on paper, thread, nails
measurements vary (8” x 10” each)
2016-2017
lithography on paper, thread, nails
measurements vary (8” x 10” each)
2016-2017
Print Study #13
collograph on paper
48” x 36” unframed
2017
collograph on paper
48” x 36” unframed
2017
Print Study #9
original poem: Buenos Aires by Marjorie Agosín
xerox transfer on wall and floor
6” x 5” x 3"
2017
original poem: Buenos Aires by Marjorie Agosín
xerox transfer on wall and floor
6” x 5” x 3"
2017
Print Study #4
xerox transfer on paper
30” x 22” unframed
2017
xerox transfer on paper
30” x 22” unframed
2017